“Matilda” is a winner. Love that little girl. If you aren’t familiar with the name, you should be.
“Matilda,” the novel written by Roald Dahl in 1988, was listed by Time magazine as one of the 100 Best Young Adult Books of All Time and was number 30 among the all-time best children’s books by The School Library Journal.
Everyone knows the musical “Annie,” whose downside has always been how treacly sweet she is and annoyingly plucky. “Matilda” is the antidote. This girl is a little bit wicked and not averse to a bit of revenge on deserving adults doing terrible things. And we the audience, who have faced our own adversities, just want to say: “You go, girl!”
The story line is that Matilda Wormwood, an amazingly gifted 5-year-old with telekinetic powers, is the child of a ballroom crazy mother and a used car salesman, who never wanted a girl and he keeps referring to her as “boy.”
To distract herself from her awful family, she goes to the library and visits with the librarian, Mrs. Phelps. Matilda is an avid reader and likes to create stories herself. Her biggest fan, in fact, is Ms. Phelps who becomes enthralled by Matilda and her creative tales that have her on the edge of her seat.
Matilda is enrolled by her parents in Cruchem Hall Primary School. The principal there is the sadistic Agatha Trunchbull, former athlete who represented Great Britain in the 1972 Summer Olympics in the “hammer throw.” She has been known to throw children around, as if they were a discus.
Luckily for Matilda, she has a loving and caring teacher in Miss Jenny Honey, who sees her as the delightful, gifted child that she is. But she is abused at both home and school. Is there any way out for Matilda? That is the premise and we assume, with her super intelligence that she will win the day. But between her amoral parents and the psychopathic Trunchbull, we are kept in suspense as to just exactly how.
The title character in the production at Music Mountain Theatre in Lambertville, N.J., is played with winning charm, hitting all the right notes both figuratively and literally, by two ladies, who take on Matilda in alternating performances. I saw them both and both are incredible. Kudos to both, in alphabetical order, Giana Griffiths and Lucy Spiegel.
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